
We start with a really lovely performance of Bach’s Cantata, Mein Herze schwimmt im Blut, which is followed by surviving excerpts from a rehearsal for a performance of Bach’s Mass in B Minor under Karajan, with Ferrier partnering Schwarzkopf in the Christe eleison and Et in unum Dominum. Schwarzkopf sings the Laudamus te.
A charming performance of Mozart’s Nehmt meinen Dank comes next, recorded in 1955 with the Philharmonia under Alceo Galliera.
The Gieseking Kinderlieder were recorded as a favour to the great pianist, recorded at the same time they made their album of Mozart Lieder. Undemanding music perhaps, but Schwarzkopf characterises them brilliantly. I’m sure Gieseking was delighted.
Finally we have a live performance of Strauss’s Vier lerzte Lieder with the Philharmonia under Karajan at the Royal Festival Hall in 1956. It is certainly interesting to hear Schwarzkopf singing them live, but I wouldn’t place this above either of her two studio recordings under Ackermann and Szell. Inexplicably, Karajan places September last, which makes a less satifactory end, especially given the rather fast tempo he takes it at, though it has slowed down a bit by the end. (I assume the wonderful horn playing is by Dennis Brain.) Im Abendrot also starts out rather fast, but again has slowed down towards the end of the song. Schwarzkopf is in wonderful voice and has no trouble riding the orchestra, but it doesn’t replace the recording she made ten years later with George Szell. For me it catches the autumnal glow of these songs like no other. The prize of this version would be Frühling, with Schwarzkopf’s voice soaring out over the orchestra with a bit more ease than it does in 1965.