Massenet’s Cendrillon

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A lovely recording of a gorgeous score, which is all but ruined by a monumental piece of miscasting. Massenet wrote the role of Le Prince Charmant for a mezzo-soprano (performed at the premiere by Marie-Louise van Émelen), but here it is given to the tenor, Nicolai Gedda. Stylishly though he sings, he cannot disguise the fact that he is singing in the wrong octave and the substitution seriously damages the sound of the duets. The booklet actually states,

In order to suggest the prince’s youth and grace, and to enhance the tender, ethereal quality of his love scenes with Cendrillon, Massenet composed the part for a falcon, …. Moreover, to prevent fashionable prime donne of the buxom kind from being miscast in the part, Massenet also stipulated in the score that the falcon should possess an appropriate physique du costume.

This makes the substitution doubly puzzling.

On the other hand the role of Cendrillon might almost have been written with Frederica Von Stade in mind, radiant of voice and charming of manner. Her performance is reason enough to have the set, but Ruth Welting makes a delightful Fairy and there are characterful performances from Jane Berbié as Madame de la Haltière and Jules Bastin as Pandolfe, as well as Teresa Cahill and Elizabeth Bainbridge as the step sisters.

Julius Rudel conducts the Philharmonia Orchestra and the Ambrosian Opera Chorus.