This recent re-mastering of Karajan’s famous 1956 recording of Der Rosenkavaier, overseen by the producer of the original stereo version, Christopher Parker, really is the best you are ever likely to hear. Parker has slightly adjusted the balance in the big trio and it really makes a big difference, Stich-Randall now not so shrill and blending better with Schwarzkopf and Ludwig.
What a performance it is, with a cast that could hardly be bettered anywhere, with Schwarzkopf’s warmly feminine, noble Marschallin dominating the opera, as she should. Her singing is wonderfully detailed, Hofmannsthal’s text superbly brought to life. Just listening to her you can see every fleeting facial expression, and I smply cannot understand those who bandy about the usual criticisms of over-artfulness and mannerisms, especially when the lyrical moments are also filled with gloriously refulgent tone. This might just be Schwarzkopf’s greatest achievement on disc.
Ludwig’s ardently impetuous Octavian is the perfect foil for this Marschallin, and if she doesn’t have quite the same matchless control over her resources as Schwarzkopf, the extroverted outpouring of tone suits the character of Octavian to a nicety. Stich-Randall is a slightly white-voiced Sophie, suitably innocent and naïve, sailing up to those stratospheric notes with a silvery purity second to none, and Edelmann remembers that Ochs may be a boor, but that he is also a nobleman.
Wonderful support from the likes of Gedda as the Italian tenor, Wächter, a wonderfully fussy Faninal and Welitsch as the Duenna, with a plethora of well known names amongst the supporting cast.
Karajan’s direction is just right in every phrase, beautifully managing the dance elements of the score, whilst giving the many lyrical moments their due. He always knows just how to build to the climaxes and his sense of the structure of the opera is spot on, his pacing both quicksilver and expansive. Just to make our cup runneth over we have the Philharmonia on top form.
The recording may have been made in 1956, but sounds absolutely splendid in this latest remastering. My top recommendation for the opera, and I don’t see that changing any time soon.